The Daily Bugle, a news operation run by controversial figure J. That being said, there is certainly significant expectation that the movie will primarily center around the monster cliffhanger that is featured in the mid-credits scene of Spider-Man: Far From Home, and we have received some clues about the plot from casting news.įor those that don’t remember, the coda begins with Spidey dropping MJ off after a swing through New York City, and then noticing a breaking news bulletin playing on giant screens outside Madison Square Garden.
What Is The Story Of Spider-Man No Way Home?Įvery Marvel Cinematic Universe movie is completely shrouded in mystery up until its release, and Spider-Man: No Way Home is proving no exception given that we do not yet have even a simple logline or know who the central villain is going to be. That being said, he has also been hired by Marvel Studios to follow-up Spider-Man: No Way Home with the much-anticipated reboot of the Fantastic Four.
Since taking the helm of Spider-Man: Homecoming, the central character has been Watts’ whole world career-wise, as he hasn’t directed any other movies in between the blockbusters. Should all go according to plan, he will be the first director to helm an entire MCU trilogy, and only the third to direct three films for Marvel Studios (the other two being Joe and Anthony Russo, who made four titles for the company thus far: Captain America: The Winter Soldier, Captain America: Civil War, Avengers: Infinity War, and Avengers: Endgame). Now, however, his is a name with which fans are incredibly familiar, because he is about to embark on making the third chapter of what may historically be considered the best big screen Spider-Man trilogy.īetween Spider-Man: Homecoming and Spider-Man: Far From Home, Jon Watts has already helmed two excellent films featuring the titular web-slinger, and both Marvel and Sony have been happy enough with the work to bring him back for the next go-round. After all, his resume largely consisted of music videos and shorts, and his most hyped-feature, the Sundance Film Festival hit Cop Car, wasn’t set to come out for another two months.
When Jon Watts was hired to direct Spider-Man: Homecoming back in June 2015, audiences didn’t really know how to react because the filmmaker was far from a proven entity.
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